- Thu Nov 05, 2015 4:14 pm
#10029
The Acropolis of Athens
The decades-long project to restore the site to its iconic past
By JARRETT A. LOBELL
It’s much easier to build a new building,” says Vassiliki Eleftheriou, “than to rebuild an ancient one.” Eleftheriou, an architect by training, is director of the Acropolis Restoration Service, where she oversees what could be considered the most daunting project in the history of archaeological conservation.
For thousands of years the monuments of the Athenian Acropolis have been regarded not only as examples of extraordinary skill and beauty, but also as potent symbols of religious devotion and civic and national identity. “Although there were many important sanctuaries and public spaces in Athens and across Attica,” says classical art historian Jeffrey Hurwit of the University of Oregon, “the Acropolis stands as what might be called the central repository of Athenians’ conceptions of themselves. These monuments and sculptures presented images of the gods and goddesses—Athena herself above all—and also of the Athenians and their heroes.” The intention, says Hurwit, was to represent Athens as the greatest of Greek cities and the Athenians as the greatest of Greeks. “To walk through the classical Acropolis was to traverse a marble paean to Athens itself,” he says.
Click here to read the rest of the article:
Source: Archaeology
The decades-long project to restore the site to its iconic past
By JARRETT A. LOBELL
It’s much easier to build a new building,” says Vassiliki Eleftheriou, “than to rebuild an ancient one.” Eleftheriou, an architect by training, is director of the Acropolis Restoration Service, where she oversees what could be considered the most daunting project in the history of archaeological conservation.
For thousands of years the monuments of the Athenian Acropolis have been regarded not only as examples of extraordinary skill and beauty, but also as potent symbols of religious devotion and civic and national identity. “Although there were many important sanctuaries and public spaces in Athens and across Attica,” says classical art historian Jeffrey Hurwit of the University of Oregon, “the Acropolis stands as what might be called the central repository of Athenians’ conceptions of themselves. These monuments and sculptures presented images of the gods and goddesses—Athena herself above all—and also of the Athenians and their heroes.” The intention, says Hurwit, was to represent Athens as the greatest of Greek cities and the Athenians as the greatest of Greeks. “To walk through the classical Acropolis was to traverse a marble paean to Athens itself,” he says.
Click here to read the rest of the article:
Source: Archaeology
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